
And that's really too bad, because if there's one audience that buys into event movies, it's adolescents - and, for all of its many flaws, Godzilla at least knew that much. Everything thats great about Aerosmith was apparent on their 1973 debut LP, but it took a couple of years for the world to catch on. Of course, stumbling post-grungsters Our Lady Peace and fledgling folk chanteuse Chantal Kreviazuk are added as attractions for younger audiences, but they don't add much to the stodgiest "event movie" soundtrack in memory.
#Aerosmith armageddon songs list plus
Nevertheless, the album features no less than four Aerosmith tunes, including the singles "I Don't Want to Miss a Thing" and "What Kind of Love Are You On," both of which are pretty standard latter-day Aerosmith songs that are outclassed not only by "Sweet Emotion," but even their hamfisted cover of "Come Together." Those four songs provide the core of an album that is clearly aimed at a "mature" audience - well, with new songs from Shawn Colvin, Patty Smyth, Jon Bon Jovi, Trevor Rabin, and Journey (complete with new vocalist Steve Augeri), plus oldies by ZZ Top and Bob Seger, the album was never really intended for a young audience. That was before Nine Lives bombed and the group lost much of their teen following. Sometime during production, Columbia evidently bet that Aerosmith, whom they recently acquired for millions of dollars, would be a big draw. However, it wasn’t just a chart-topper the band won the Grammy for Best Rock Performance by a Duo or Group with Vocal for. Tom Hamilton’s dope-as-hell bassline, Joe Perry’s talk box and, lest we forget, Steven Tyler’s shaking of sugar packets lays down a vibe like none other. One of the best songs from Aerosmith’s ‘80s comeback, Janie’s Got a Gun is the second single released from Aersmith’s 1989 album Pump and was wildly successful, peaking at 4 on the Billboard Top 100 in 1990. A would-be blockbuster soundtrack for a would-be blockbuster, Armageddon is a strange album, as far as carefully tailored soundtracks go. Intros and builds of a song have been mentioned elsewhere on this list, but without a doubt, Sweet Emotion has the best intro/build of any song in the Aerosmith catalog.
